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CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Harris Piano Jazz Bar
X-ORIGINAL-URL:https://harris.krakow.pl/en
X-WR-CALDESC:Events for Harris Piano Jazz Bar
BEGIN:VEVENT
DTSTART;TZID=UTC+0:20160502T213000
DTEND;TZID=UTC+0:20160502T213000
DTSTAMP:20261106T154554
CREATED:20160328T170814Z
LAST-MODIFIED:20160328T172709Z
UID:2796-1462224600-1462224600@harris.krakow.pl
SUMMARY:PAWEŁ KACZMARCZYK – DIRECTIONS IN MUSIC: PAUL CHAMBERS
DESCRIPTION:IV DIRECTIONS IN MUSIC NIGHTS \nCELEBRATING 19 YEARS OF HARRIS PIANO JAZZ BAR \nPAWLIKKACZMARCZYK/GRZEGORSKI/MURAKOWSKI/ŻYTA \nDirections In Music: PAUL CHAMBERS \n \nMarian Pawlik – double bass \nPaweł Kaczmarczyk – piano \nTomasz Grzegorski – sax \nRobert Murakowski –  trumpet \nŁukasz Żyta – drums \ntickets: 45 pln (presale\, students)/50 pln\nReservation can be made only after buying tickets. \nDIRECTIONS IN MUSIC \nDirections In Music is a project launched by Paweł Kaczmarczyk in September 2010\, that is a tribute to works of the greatest jazz musicians. The rhythm section is created by the musicians of the Audiofeeling Band\, whereas the guests are thematically related to the work of the artist that is presented. Each concert serves not only a meeting with the history of jazz music but also gives a unique opportunity to listen to (live!) the outstanding guests of Paweł Kaczmarczyk. \nPAUL CHAMBERS\n \n(1935 -1969) \n \nPaul Laurence Dunbar Chambers\, Jr. was a jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s\, his importance in the development of jazz bass can be measured not only by the length and breadth of his work in this short period but also his impeccable time and intonation\, and virtuosic improvisations. He was also known for his bowed solos. \nPaul Chambers was in great demand as a session musician\, and played on numerous albums during the period he was active including such landmarks as Thelonious Monk’s Brilliant Corners\, Coltrane’s Giant Steps\, and Oliver Nelson’s The Blues and the Abstract Truth. Many musicians wrote songs dedicated to Chambers. Long-time fellow Davis bandmate\, pianist Red Garland\, wrote the tune “The P.C. Blues”\, and Coltrane’s song “Mr. P.C.” is named after Chambers. Tommy Flanagan wrote “Big Paul”\, which was performed on the Kenny Burrell and John Coltrane Prestige 1958 LP. Max Roach wrote a drum solo called “Five For Paul”\, on a 1977 drum solo LP recorded in Japan\, and Sonny Rollins wrote “Paul’s Pal” for him as well. \n \nPAWEŁ KACZMARCZYK \n \nb. February 8\, 1984 in Krakow\, Poland – Polish pianist\, arranger\, composer and sideman. \n“Listening to the way Paweł Kaczmarczyk gets sounds out of the keys\, we can understand what full-blooded\, completely engaged jazz piano playing is all about.”Howard Reich – CHICAGO TRIBUNE \nThe artist’s third album “Complexity in Simplicity”\, issued by the prestigious label ACT Music\, opened the door to an international career for the pianist. The album was recognized as “Album of The Year”\, and Paweł Kaczmarczyk named “Pianist of The Year”. (JAZZ FORUM) \nWinner of the “Gazeta Wyborcza’s Cultural Flights” award\, in the“Artist of The Year 2009” category\, and recipient of the Jazz Music Lovers’ Grand Prix “Jazz Oscars”in the New Hope\, Artist and Album of The Yearcategories. \nTwice nominated for a “FRYDERYK” award\, in the Jazz Musician of The Year and Phonographic Debut of The Yearcategories. \nActively performs in every part of the world\, including Europe\, the USA\, India\, Africa\, Asia and the Arabian Peninsula. \nHas appeared and worked with many world-renowned artists\, including Lee Konitz\, Jon Christensen\, Mino Cinelu\, Emil Mangelsdorff\, Poogie Bell\, Hadrien Feraud\, Eivind Aarset\, Arild Andersen\, Theodosii Spassov\, Janusz Muniak\, Piotr Wojtasik\, Adam Pierończyk\, and Zbigniew Namysłowski\, among others. \n \nhttp://www.pawelkaczmarczyk.com/ \nhttps://www.facebook.com/pages/Paweł-Kaczmarczyk-Audiofeeling-Band/10150151196775217 \n
URL:https://harris.krakow.pl/en/koncert/pawel-kaczmarczyk-directions-in-music-paul-chambers/
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